https://www.cocoa.foundation/features daily 0.75 2023-11-16 https://www.cocoa.foundation/features/i1l0nxuztdhcz3aqophgna5h7qk5yb monthly 0.5 2023-11-16 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6e995191-1ecc-423a-bd5c-4a7285740ce6/selvportrettforanhusveggen.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Self-Portrait in Front of the House Wall, 1926, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/74d3ca6e-fa0f-4577-bb3a-3d1d26592c13/default-2.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Bathing Woman and Children, 1935, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/bcb268bd-cf74-42a6-8cd7-5a5aedd01624/220936fg.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Christian Krohg, Sick Girl, 1881, oil on canvas, © Nasjonalmuseet fur Kunst, Oslo https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d32d94d5-0c37-46d6-87b5-77316f878443/girl+from+nordland+2.jpeg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out The Girl from Nordland, 1932, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/8fee6e43-81cb-4437-94b0-d0971f95b810/default-13.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Standing Female Nude, Watercolor, crayon on paper, 1932-42, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/5cb769de-7b34-45f3-889d-214fd73579c1/aho+hanna+drypoint.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Eric Aho, Hanna, 1990, drypoint, collection of the artist https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6bc40e12-4b69-4eb8-abe3-9a06fae6b48c/default-6.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Alma Mater, 1940, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/91c6d8e6-53ee-44c0-87f8-c8a49742d046/640px-Munch_Det_Syke_Barn_1885-86.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, The Sick Child, 1885-1886, oil on canvas, © Nasjonalmuseet fur Kunst, Oslo https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/44ba4712-f5ba-4f69-b4e3-58ecaf8bac43/B1782F2.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch Painting in the Outdoor Studio at Ekely (near Oslo), c. 1925. © Lutz & Co. Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/5cb7a4d9-f9a7-4cec-b2d7-6e9fee83bbb6/aho+park+drawing.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Eric Aho, Oslo City Park, 1990, pastel on paper, collection of the artist https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f633b2cc-0242-4237-929b-3eac694376d6/Munch_-_Hanna_Brieschke_in_%C3%85sg%C3%A5rdstrand%2C_1932%2C_MM.M.00972-2.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Hanna Brieschke in Åsgårdstrand, 1932, oil on unprimed canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2d78f3a4-5186-4297-b9f3-8c1669d52f75/Edvard_Munch%2C_Melancholy%2C_1892%2C_National_Gallery%2C_Oslo_%2836466304905%29.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Melancholy, 1892, oil on canvas, © Nasjonalmuseet fur Kunst, Oslo https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6214ff59-f241-4743-acd6-c1b336a75738/default-8.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Disturbed Vision, oil on canvas, 1930, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/de5a055b-0603-4fae-9dac-0516d143a968/epletre-i-hagen.jpeg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Apple Tree in the Garden, 1932-42, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/31de7f8e-1a1e-4ff3-8841-5c7ec1afffd8/default-5.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Spring at Ekely, 1942, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/8d33f1d9-de95-4ea9-8212-a66ce82a6a84/Munch_-_Under_the_Chestnut_Tree%2C_1937%2C_MM.M.00031.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Under the Chestnut Tree, 1937, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/14a02294-e079-479a-ab36-815363ea0cfd/default-10.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, Two Women by the Veranda Steps, 1942, oil on canvas, © Munchmuseet https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f3c82aad-e4a8-4360-a538-4355142b6114/sun.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch, The Sun, 1909, oil on canvas, © Oslo University https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/4daa910e-7a28-4882-90ca-d094643238db/ekely.jpg Features - The Brightness Before Him: Edvard Munch and his Model Hanna   - Make it stand out Edvard Munch in the garden at Ekely. Photo: Inger Munch © Munchmuseet https://www.cocoa.foundation/features/brodyanotherbansky monthly 0.5 2023-06-09 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/b9281181-ee28-41c1-b4ca-ac292334f520/carol+at+dismaland.jpg Features - Another Day, Another Banksy* - Make it stand out Carol Diehl at Dismaland with graffiti artist Pedro, 2015. Photo: Ray Harmon https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/09a62a9a-04b5-4b7f-9b53-0b1d0ab48675/Dismaland-11.jpg Features - Another Day, Another Banksy* - Make it stand out Banksy, Dismaland, 2015, Weston-super-Mare, UK. Photo courtesy of Pest Control Office https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/faf4e291-dcf8-4a9b-9661-a52d72ead30c/carol+at+walled+off+hotel.jpg Features - Another Day, Another Banksy* - Make it stand out Carol Diehl at Banksy’s The Walled Off Hotel, Palestinian West Bank. Photo: Terry Perk https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/767df3fa-aeb7-4e01-874b-9c9d1683b73c/banksy_London_2011.jpg Features - Another Day, Another Banksy* - Make it stand out Banksy, If Graffiti Changed Anything it Would be Illegal, 2011, spray painting, London. Photo courtesy of Pest Control Office https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/3e830fb9-c4a6-4f4a-a1d3-1592cba19021/the+walled+off+hotel.jpeg Features - Another Day, Another Banksy* - Make it stand out Banksy, The Walled Off Hotel, Palestinian West Bank. Photo: Carol Diehl https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ddf73d70-9d87-40e7-ad6f-066a50b98cde/4893484A.JPG Features - Another Day, Another Banksy* - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/bcf9383d-b397-4678-8029-5f5e75131d81/armored+dove+of+peace+2007.jpeg Features - Another Day, Another Banksy* - Make it stand out Banksy, Armored Dove of Peace, 2007, Bethlehem, Palestinian Territories. Photo: Carol Diehl https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f3df17ee-05f6-4662-a632-1941e2fc78fb/unnamed-22.jpg Features - Another Day, Another Banksy* - Make it stand out Banksy, You Complete Me, 2013, spray painting, New York. Photo: Joshua Tjaden https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d176c3f1-da98-47a8-8919-eef21e837554/carol+diehl+drawing.jpeg Features - Another Day, Another Banksy* - Make it stand out Carol Diehl, Titania, 2013, graphite and ink on paper. Photo: Carol Diehl https://www.cocoa.foundation/features/kozikevebiddle monthly 0.5 2023-05-24 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/30b8b37b-1f96-4459-b19e-46d45c498d1e/11_EveBiddle_NewRelics_BronzeRings_2020.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Eve Biddle, New Relics, Bronze Rings, 2020. Ceramic with glaze. 14 x 14 x 1 inches. Photo: Joshua Simpson. Courtesy Eve Biddle Studio https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/5b70e7fa-8b53-4b50-a913-358b4d1582d0/Davidson+Gallery_IMG_9386+2.jpg+installation+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Installation shot of Generation, Davidson Gallery 2022, photo courtesy Davidson Gallery https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/385990cd-c93b-4763-b6e5-fb7646ec7277/1984-050-27a-cropped-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out In the Studio, East 3rd Street, New York City, 1984 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/76bf8f00-9162-4217-b0f5-6092eebfc56b/eve+biddle+portrait.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Eve Biddle in her Wassaic studio 2023, photo: Jeff Barnett-Winsby, courtesy Eve Biddle Studio https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/c2ef84d2-9fcd-4f00-94c8-4ffd9196acb3/1977-206-22-2500px-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Sanding “Benchmarks,” East 3rd Street, New York City, 1977 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/085c7715-9b6c-44d6-92e4-8aef84cb4c67/1989-007-28-2500px-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Early morning, Wallkill, New York, 1989 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/59ba3554-51b7-416f-a554-e8e8709c94ca/across+the+bering+strait+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Mary Ann Unger, Across the Bering Strait, installed at Williams College Museum of Art, 2022, photo KK Kozik https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/71f2b0fa-30bd-443a-87f8-2c7bec939166/1986-008-05a-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Snow on the roof, East 3rd Street, New York City, 1986 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2bc5799b-eef8-4bd1-9449-05cb9a687fae/9_Unger_Untitled_StudyforHexagonalQuintet_1978.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Mary Ann Unger, Untitled (Study for Hexagonal Quintet), 1978, watercolor and pencil on paper, 20.5 x 26.75”, courtesy Williams College Museum of Art and Mary Ann Unger Estate https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/8b052b00-a304-4afa-b8bc-3b0586147c20/wassaic+project+summer+festival+yar+of+mary+ann+.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Summer Festival at Wassaic Project, Wassaic, New York https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/bf2f0424-c1aa-4da2-be3a-65a3a713cb8e/1975-237-09-2500px-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out In the loft, East 3rd Street, New York City, 1975, all black and white photos courtesy Geoffrey Biddle https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/67dcdef9-7973-4b37-9b92-7d5fe82bdf50/Davidson+Gallery_1975_sculpture_untitled-1-mary-ann-unger_ID-0125.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Mary Ann Unger, Untitled, 1975. Aluminum screen. 29 x 27 x 5 inches, courtesy Mary Ann Unger Estate https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1c1940d4-e92f-48ec-9df2-ca58c4d3b18d/7_Unger_RedVertebrae_1980_WhitneyMuseum.jpg+year+of++mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Mary Ann Unger, Red Vertebrae, 1980. Painted plywood. 5 units, each 22–24 x 12 x 13 inches. Whitney Museum of American Art, New York; gift of Geoffrey Biddle. © Mary Ann Unger Estate https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/cbcce81f-6d42-4eeb-92a9-1ab444de4b9c/1984-259-26a-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Trim on the fire escape, East 3rd Street, New York City, 1984 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/44d6011a-483a-4856-b9a6-a22d2e37b3f7/1986-041-22-copyright-geoffrey-biddle.jpg+yaer+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Building “Temple,” East 3rd Street, New York City, 1986 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/4c21ed58-6580-4435-8350-caa9b6b328dc/4_Unger_Shanks_1996.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Mary Ann Unger, Shanks, 1996–97. Hydrocal over steel. 109 x 98 x 34 inches. Williams College Museum of Art, Museum purchase, Karl E. Weston Memorial Fund. © Mary Ann Unger Estate 2022 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/07366cea-6826-4d36-99cb-f3bff2337473/1977-004-35-2500px-copyright-geoffrey-biddle.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Loft view, East 3rd Street, New York City, 1977 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/4dd1fe4b-498f-4e62-9348-045729093706/Davidson+Gallery_Spine+Impression.jpg+year+of+mary+ann.jpg Features - Eve Biddle and The Year of Mary Ann Unger - Make it stand out Eve Biddle, New Relics, Spine Impression, 2020, molded glass, 10 x 14 x 6”, photo: Ryan Speth, courtesy Eve Biddle Studio and Davidson Gallery https://www.cocoa.foundation/features/there-are-so-many-surprises-an-interview-with-lisa-edelstein-and-sabrina-wirth monthly 0.5 2023-02-03 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f1e20260-9557-4cba-94e1-b1944c9bd2bf/Lisa+Edelstein_Dessert.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Dessert, 2022, Watercolor and pencil on paper 26 by 53 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/457554f5-0141-4e92-9300-599bcb15a36d/Lisa+Edelstein_Interruption.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Interruption, 2022, Watercolor and pencil on paper, 28 by 38 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d93cef8f-f1d9-4168-81bf-67e0579e5452/Lisa+Edelstein_Robert.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Robert , 2022, Watercolor and pencil on paper, 25 by 23 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ecd24b0a-6a99-40c5-9987-cc22101c4525/Lisa+Edelstein_Celebration.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Celebration, 2021, Watercolor and pencil on paper, 30 by 40 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/7e62b2cb-4aaf-489b-be3e-17172200e189/Lisa+Edelstein_Pizza.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Pizza, 2020, Marker and pencil on paper, 22 by 30 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/73d82569-5036-44e0-b450-661fd184e03a/Installation+view_Lisa+Edelstein-Family_Courtesy+SFA+Advisory_6.jpeg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Installation at SFA Advisory, Lisa Edelstein: Family, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/92b91899-82aa-45f6-b410-10521bf4d86d/Installation+view_Lisa+Edelstein-Family_Courtesy+SFA+Advisory_7.jpeg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Installation at SFA Advisory, Lisa Edelstein: Family, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/5cdec8d5-7bb5-4623-8476-265a832e901b/Lisa+Edelstein_Snapshot.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Snapshot, 2022, Watercolor and pencil on paper, 40 by 60 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/64ba859e-e857-4b5d-abe4-04c63638a49e/Lisa+Edelstein_Gun.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Gun, 2022, Watercolor and pencil on paper 36 by 31 1/2 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/91e767f5-69b1-468a-9a95-6fb7e4d55e78/Lisa+Edelstein_Caught.jpg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Lisa Edelstein, Caught, 2022, Watercolor and pencil on paper 33 by 23 inches, Courtesy of SFA Advisory https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/0562365c-06fc-4600-a901-ebb65762649f/Installation+view_Lisa+Edelstein-Family_Courtesy+SFA+Advisory_3.jpeg Features - REFRESHING THE NARRATIVE: An Interview with Lisa Edelstein - Make it stand out Installation at SFA Advisory, Lisa Edelstein: Family, Courtesy of SFA Advisory https://www.cocoa.foundation/features/sixty-delicate-works-on-paper-phillip-taaffe-at-luhring-augustinenovember-12-december-22-2022 monthly 0.5 2023-01-07 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/5f36b2ea-d2fc-419c-9119-23e55f0671cd/Nudibranch_2021_C35200.jpeg Features - SIXTY DELICATE WORKS ON PAPER: Philip Taaffe at Luhring Augustine Tribeca, November 12 —December 22, 2022 - Make it stand out Philip Taaffe, Nudibranch, 2021, Mixed media on panel, 28 3/8 x 13 1/2 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/3dcac298-7517-4849-ab13-2bd0e52805c8/Painting-with-Diatoms-and-Shells-II_2022_C36326.jpeg Features - SIXTY DELICATE WORKS ON PAPER: Philip Taaffe at Luhring Augustine Tribeca, November 12 —December 22, 2022 - Make it stand out Philip Taaffe, Painting with Diatoms and Shells II, 2022, Mixed media on canvas, 24 1/2 x 39 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ec00ce15-c9ff-4a40-9756-3ce7f8282a36/Siren_2022_C36338.jpeg Features - SIXTY DELICATE WORKS ON PAPER: Philip Taaffe at Luhring Augustine Tribeca, November 12 —December 22, 2022 - Make it stand out Philip Taaffe, Siren, 2022, Mixed media on panel, 17 3/8 x 14 7/8 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/c9063da7-0c02-4f8b-a1d9-e0cfac3c484c/Columnar-Figure-II-Color-is-the-Fruits_2022_C36334.jpeg Features - SIXTY DELICATE WORKS ON PAPER: Philip Taaffe at Luhring Augustine Tribeca, November 12 —December 22, 2022 - Make it stand out Philip Taaffe, Columnar Figure II ("Color is the Fruits"), 2022, Mixed media on panel, 79 x 5 1/2 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/b41a97c3-5d02-48bb-b35c-d58c66abca84/Composition-with-Crabs%2C-Algae-and-Shells_2022_C36329.jpeg Features - SIXTY DELICATE WORKS ON PAPER: Philip Taaffe at Luhring Augustine Tribeca, November 12 —December 22, 2022 - Make it stand out Philip Taaffe, Composition with Crabs, Algae and Shells, 2022, Mixed media on panel, 22 1/2 x 14 1/4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ce32d292-5408-46d3-b8c2-0510255d2e45/Panel-with-Larger-Frogs_2022_C36328.jpeg Features - SIXTY DELICATE WORKS ON PAPER: Philip Taaffe at Luhring Augustine Tribeca, November 12 —December 22, 2022 - Make it stand out Philip Taaffe, Panel with Larger Frogs, 2022, Mixed media on panel, 30 7/8 x 41 5/8 inches https://www.cocoa.foundation/features/7l1ccxz2dda23sztlj8sesdt0g1ex5duncanhannahpart3 monthly 0.5 2023-01-03 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/39b5977e-08b1-4ed9-9a60-873351739193/megan+duncan+chin+on+hand.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan and Megan at a small restaurant near Cornwall, 2015, photos Eric Aho https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/e4b58910-8487-4fe7-bd52-d829aba28632/LeadPortrait.womanlooking.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah, ‘Shy Venus, 2014, oil on canvas, 20 x 16 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d77831cf-f496-458d-9f33-93b8438e3353/duncan+image+philip.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah, A Room of One’s Own, collection and photo Gretchen Carlson and Philip Taaffe https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/5910ba3e-9489-4fff-ab73-3066dd6786dd/jeff+and+duncan.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan and Jeff at a dinner party in New Jersey circa 2002 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/631fc377-f0ba-42df-8889-c5adad8c1a4b/DH+copy.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah, Little Rain, 1991, oil on panel, 18 x 14” https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/e361bb0f-eeb1-454b-b942-50ce81fafeb5/Duncan_Hannah_Oct_2018-88840001.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah at Cream Hill Lake, West Cornwall, Connecticut, 2018, photo Darren Ankenman/Autre https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/09a9dffb-2301-4a4b-bf44-a1e1085eebc6/megan+and+duncan+%601.jpeg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/b1e9a483-1f70-4934-809f-1e4089f29e74/H0061-L179341015_original.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah, Cecil, 1997-98, oil on canvas, 30 1/2 x 20 inches, photo courtesy Invaluable https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/3d431b7f-a44e-488b-b200-544700d38314/youngduncan.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah in 1972. photo Danny Fields https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/668acfa6-783f-44bc-8e3c-91f8006a078b/08HANNAH-slide-6GD1-superJumbo.jpg.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah, 1972, photo Danny Fields https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/99c55160-db6c-472f-96bc-8af9d69c613a/duncan-hannah-sitting-in-chair.jpg Features - PICTURING DUNCAN HANNAH, Part III - Make it stand out Duncan Hannah in his apartment/studio 2012, photo Michael Mundy/Remodelista https://www.cocoa.foundation/features/2ibubjavxh7wqeq9az9qtuucu1cy9mduncanhannahpart2 monthly 0.5 2023-01-03 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6f6ce7af-3bb5-4f1e-a803-5a93e0503b79/20221122_122451.jpg+boy+and+horse.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/a4a1ee92-2fca-4fb0-860b-9bc58fe6f399/Image+12-21-22+at+11.46+AM.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f7d41d9c-f3f4-40ab-a931-90c6d6ee1c0a/tiger+collage.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Duncan Hannah, Tiger Collage, 2019, birthday present to David Cowan, photo Valorie Fisher https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6b304451-b524-4d0e-8ba3-1c7305c70101/4.IMG_4894.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/0f64fa5e-ac5c-4692-8e8b-df8b5163a6e9/20221122_122231.jpg+tom+woodruff.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/819f9c85-33fb-49a4-ae56-d9724ac5cea6/20221120_121724.jpg+tarzan.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/86bfc317-8960-4a7a-92d6-2ebe843582c4/1.Cover.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6d04f78e-d42b-4fb6-99b4-5b1e2f9c286c/Lester.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/b9b0f53e-f308-488a-b8fd-f41680c729dc/IMG_4889.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/3e0dd546-ff54-4a67-bae2-207f6e32d4ac/Image+12-20-22+at+3.49+PM.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f4625011-58f9-48ba-bc38-ec832a4ea6c5/I3.MG_4895.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/bd25d1b0-c4f5-4ebe-a539-47425c1fc771/20221122_122710.jpg+portrait+of+Tom+Woodruff.2.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2a6a06fb-dac7-4915-abf7-deab3777a127/5.IMG_4890.jpg Features - PICTURING DUNCAN HANNAH, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.cocoa.foundation/features/picturing-duncan-hannah monthly 0.5 2022-12-26 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/7e974242-dec0-4cbb-987e-c9cd03c77805/Posing+in+front+of+the+billboard+on+Houston+for+his+1984+Semaphore+show%E2%80%94photo+David+Forshtayjpg.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/a1816f32-6831-40b5-bc0c-1f843bbd47d1/reading.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/37b6b192-3308-448d-bf25-f4c1877b1ee0/%5C%2522The+Dimming+of+the+Day%2C%2522+1983.+Portrait+of++Walter+Robinson+in+front+of+Van+Gogh%E2%80%99s+bridge+over+the+Seine.JPG Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/c385b78e-5f99-4b01-b2d9-ffc9694abd4e/2.IMG_4879.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/b44ddde0-64d0-41fe-b563-6b50fc4c9eda/walter+robinsopn+drawing+by+DH.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/21dec83e-44a9-4eb7-be80-4d3a95345642/Portrait+of+Barry+Blinderman%2C+ca.+1984.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6b2c753c-18b9-4885-ac7e-2b79788b1e07/2.Duncan+Hannah+Lord+Byron+1983+oil+on+canvas+16+x+12+in.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/fe900afc-f3ac-4f19-b6d7-dacd09d8959b/image.jpeg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2d1af414-2722-4883-a788-42e939ef47be/SwingEtching2.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/b615db89-0416-4a46-be70-a06c6b82d519/A+postcard+from+Paris.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/7e8c0bcc-d6ca-4af6-aaee-818edc8d4436/At+Semaphore%2C+1985%2C+with+Duncan%27s+%2522Ryder%27s+Paintbox%2522.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/7ea233bd-30e3-4b0b-a6a3-8dbe541f9f34/duncan+hannah+debby+inmade+beds+-+Google+Search.png Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/46110b3c-8da0-4502-af38-ca6f0f8c8672/2.WR+with+his+1983+portrait+by+Duncan+Hannah.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1ca8dff7-3d4e-426e-a036-56c9f8ed02b8/Miller-Hannah-1.jpg Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2c016f3d-ee25-42a4-b323-3d4b9b6010b0/%E2%80%9CGirl+with+the+Flaxen+Hair%2C%E2%80%9D+1979.JPG+Named+after+a+song+by+Debussy%2C+featured+in+The+Times+Square+Show+in+1980.JPG Features - PICTURING DUNCAN HANNAH, Part I - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.cocoa.foundation/features/zeiger-splendid-isolation monthly 0.5 2022-12-22 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2da9e836-eb6b-4449-8525-a64f03216b7a/Nietzsche+stone.png Features - Splendid Isolation: Nietzsche At Sils Maria - Make it stand out The Nietzsche Stone, near the Lake Silvaplana Photographer: Armin Kübelbeck, CC-BY-SA, Wikimedia Commons https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/119dc574-f0b4-428a-96f2-f72c5f567485/Nietzsche+by+Munch.png Features - Splendid Isolation: Nietzsche At Sils Maria - Make it stand out Edvard Munch, Friedrich Nietzsche, 1906, oil on canvas, 79.1 x 62.9 in https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/014c7bf6-bd09-4f4b-af93-874cb01058a5/BEDROOM2.jpg Features - Splendid Isolation: Nietzsche At Sils Maria - Make it stand out Photo of Friedrich Nietzsche’s room in Sils Maria, 2019, Peter Cusack https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/97bafa74-41b8-402d-a193-716b6541af08/Cocoa+Nietzsche+Cusack.jpg Features - Splendid Isolation: Nietzsche At Sils Maria - Make it stand out Peter Cusack, Splendid Isolation, 2019, Pastel, 18 x 24 in https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/cd9c00e9-aa82-4706-aeeb-bf38703d6c68/THELAKE.final.jpg Features - Splendid Isolation: Nietzsche At Sils Maria - Make it stand out Photo of Sils Maria, 2019, Dave Gruss, Lead Guide, Ryder-Walker Alpine Adventures https://www.cocoa.foundation/features/kozik-jeannette-montgomery-barron monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ece0c229-4ade-4204-992a-8923a42ad88f/COCOA+JMB+3.png Features - Jeannette Montgomery Barron, New Drawings: An Exhibition - Make it stand out Jeannette Montgomery Barron, Untitled #1, Caran D'Ache Prismalo pencils on Fabriano paper, 8 1/2 x 11 3/4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/4b0b9ce7-30de-46f1-a2f1-6c8462042dd2/COCOA+JMB+4.png Features - Jeannette Montgomery Barron, New Drawings: An Exhibition - Make it stand out Jeannette Montgomery Barron, Untitled #5, Caran D'Ache Prismalo pencils on Fabriano paper, 8 1/2 x 11 3/4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6aa81061-7f2f-46a3-9bf4-146404bbd0d0/COCOA+JMB+1.png Features - Jeannette Montgomery Barron, New Drawings: An Exhibition - Make it stand out Jeannette Montgomery Barron, Untitled #2, Caran D'Ache Prismalo pencils on Fabriano paper, 8 1/2 x 11 3/4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/7b4dd4c8-5819-4f25-8495-bbc18bbf70f3/COCOA+JMB+5.png Features - Jeannette Montgomery Barron, New Drawings: An Exhibition - Make it stand out Jeannette Montgomery Barron, Untitled #6, Caran D'Ache Prismalo pencils on Fabriano paper, 8 1/2 x 11 3/4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/e09b086f-3780-483c-bb1d-99a4c01ecea4/COCOA+JMB+2.png Features - Jeannette Montgomery Barron, New Drawings: An Exhibition - Make it stand out Jeannette Montgomery Barron, Untitled #4, Caran D'Ache Prismalo pencils on Fabriano paper, 8 1/2 x 11 3/4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ef541f22-95fc-4aae-80aa-2c77ee18197d/COCOA+JMB+6.png Features - Jeannette Montgomery Barron, New Drawings: An Exhibition - Make it stand out Jeannette Montgomery Barron, Untitled #3, Caran D'Ache Prismalo pencils on Fabriano paper, 8 1/2 x 11 3/4 inches https://www.cocoa.foundation/features/cheaney-lamentation-by-school-of-rembrandt monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/0d53bffa-5c59-40ea-8bba-871a8b13aef9/joseph+2.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out Josephus cradling Christ, detail from the Lamentation over the Dead Christ by the School of Rembrandt, 1640-45 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/170730e5-168a-468f-bc77-977ec520a64b/virgin+mary+red.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out Virgin Mary, detail from The Lamentation of the Dead Christ by the School of Rembrandt, 1640-45 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/9d4d19ff-8dc6-4f89-8199-2c54b92afb3e/nicodemus+and+john.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out John the Apostle and Nicodemus, detail from the Lamentation over the Dead Christ by the School of Rembrandt, 1640-45 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/c52b218c-c70f-48dd-ba59-7d6e20519f7a/detail+of+jesus.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out The Body of Christ detail from the Lamentation over the Dead Christ by the School of Rembrandt, 1640-45 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ca131f80-7fd0-4091-bf92-38dd598809cd/virgin+mary.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out Mary of Clopas at Christ’s feet, detail from The Lamentation of the Dead Christ by the School of Rembrandt, 1640-45 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6fda1cfe-bc55-4713-af9d-c9fa3278ef06/lament+unknown.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out Mary Magdalene at the foot of the cross, detail of the Lamentation over the Dead Christ by the school of Rembrandt, 1640-45 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/42fa18e4-6599-4951-a4e0-442947d62377/cocoa+lamentation.png Features - Look: Lamentation by the School of Rembrandt - Make it stand out The School of Rembrandt, The Lamentation of the Dead Christ, 1640-45 https://www.cocoa.foundation/features/kozikmotherjoinsthecircus monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/136a6889-45ac-4d31-b481-a5cd5776dd9d/circus+bareback+llama.jpg Features - Mother Joins the Circus - Make it stand out Katherine Bradford, Bare Back Llama Rider, 2019, acrylic on canvas, 16 x 12 inches, Courtesy of Adams and Ollman https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2aa1368d-855c-47c1-bcb0-b021eae1f91d/circus+bare+back++riders.jpg Features - Mother Joins the Circus - Make it stand out Katherine Bradford, Bare Back Circus Riders, 2019, acrylic on canvas, 20 x 16 inches, Courtesy Adams and Ollman https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/078bd929-6cd2-4218-a76a-c10c89fcb53d/CIRCUS+LADY.jpg Features - Mother Joins the Circus - Make it stand out Katherine Bradford, Circus Lady, 2019, acrylic on canvas, 20 x 16 inches, Courtesy of Adams and Ollman https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/4a9cb3ce-3a91-4850-aa6b-d08763fe27c9/Circus+Ring-+Adams+and+Ollman.png Features - Mother Joins the Circus - Make it stand out Katherine Bradford, Circus Ring, 2019, acrylic on canvas, 40 x 30 inches, Courtesy of Adams and Ollman https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/47b4490a-4c47-4387-bd91-e8281a6d333b/Cocoabradfordmotherjoinsthecircus.jpg Features - Mother Joins the Circus - Make it stand out Katherine Bradford, Mother Joins the Circus, 2019, acrylic on canvas, 16 x 20 inches, Courtesy of Adams and Ollman https://www.cocoa.foundation/features/placcibetweenimaginationandreason monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6c917f03-de12-4ac2-a405-109bec4690c0/blake+heaven+and+hell.png Features - William Blake: Between Imagination and Reason - Make it stand out William Blake, A Vision of the Last Judgement , c.1808, waterolor. On Christ’s right are the saved, coupled in affections of love, who spiral upward toward Christ. On Christ’s left are the damned, isolated in their fear and anguish, who fall downward into the torments of hell. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/c2501078-d2ba-4691-99c2-e1e44b88745f/blake+righteous.png Features - William Blake: Between Imagination and Reason - Make it stand out Left and Right: William Blake, Details of the section of the saved from A Vision of Heaven and Hell, ca. 1808, watercolor. In this section of the saved, to the lower right of Christ, are numerous figures, spiraling upward towards Heaven, embracing and affectionately showing love. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/048eecf9-4d85-47f0-b7f5-86543e913f51/blake+self+portrait.png Features - William Blake: Between Imagination and Reason - Make it stand out William Blake, Self-Portrait, c. 1802, monochrome wash drawing, dimensions unknown https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/15e365de-ab50-4a5b-98a7-9a01031005ca/blake+composite.png Features - William Blake: Between Imagination and Reason - Make it stand out Left: William Blake, A Vision of Heaven and Hell, ca. 1808, watercolor. Top Right: Illustration of a cross-section of a brain Bottom Right: illustration of a cross-section of a uterus. Blake not only represents the saved and the damned, but masterfully suggests the Masculine and Feminine principles of Reason and Imagination symbolized by the brain and the uterus. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/f4832a06-6326-4d6a-a1ac-dd57c960f2a3/Blake+hell+4.png Features - William Blake: Between Imagination and Reason - Make it stand out Left and Right: William Blake, Detail of the damned from A Vision of Heaven and Hell, ca. 1808, watercolor. In this section of the damned, on Christ’s left, are people undergoing extreme torment as they fall to their sorrowful fate. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/0e8ec14f-1dc3-492e-b488-c28ebc15a59e/blake+saved+detail.png Features - William Blake: Between Imagination and Reason - Make it stand out William Blake, Detail of A Vision of Heaven and Hell, ca. 1808, watercolor. In this section of the saved, above Christ’s head, are two people kissing. https://www.cocoa.foundation/features/kozikwhosebroadstripes monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ace1bc39-f338-446a-8cea-9c0d121745cf/Jonathan+Horowitz%2C+Three+Rainbow+American+Flags+for+Jasper+in+the+Style+of+the+Artist%E2%80%99s+Boyfriend%2C+2005.jpeg Features - Whose Broad Stripes and Bright Stars? Flags and Art from Johns to the Present - Make it stand out Jonathan Horowitz, Three Rainbow American Flags for Jasper in the Style of the Artist’s Boyfriend, 2005, Glitter and oil on linen, 31 x 45 3/4 x 5 inches, copyright the artist, courtesy Sadie Coles HQ, London, Photo: Ellen Page Wilson https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/72113a21-6a60-4c4a-a19c-74f9857dda1d/KK+Die++flag.png Features - Whose Broad Stripes and Bright Stars? Flags and Art from Johns to the Present - Make it stand out Faith Ringgold, Black Light Series #10: Flag for the Moon: Die Nigger, 1969, oil on canvas, 36 x 18 inches, copyright 2020 Faith Ringgold/Artists Rights Society (ARS), New York, Courtesy ACA Galleries https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/8cb6d0b6-9dc9-47f3-a9d4-241d386084cf/kk+vampire+flag.png Features - Whose Broad Stripes and Bright Stars? Flags and Art from Johns to the Present - Make it stand out Sterling Ruby, VAMPIRE 47, 2011, fabric and fiberfill, 84 x 45 x 4 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/49e82154-2bc0-4c06-b855-a22e7e4778c6/kk+trump.png Features - Whose Broad Stripes and Bright Stars? Flags and Art from Johns to the Present - Make it stand out Natalie Baxter, But People Will Think You’re Making a Trump Flag, 2020, fabric, sequins, polyester fill, fringe, 14 x 21 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/94787a11-9e8f-4b0b-b7cd-d8f7d630824a/kk+purple+flag.png Features - Whose Broad Stripes and Bright Stars? Flags and Art from Johns to the Present - Make it stand out James Esber, We the Purple, 2020, flying in Williamsburg, Brooklyn https://www.cocoa.foundation/features/placcisarahlucas monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/fd102793-1fd8-4b32-9523-17d2d6746832/the+shop+freedman.png Features - Sarah Lucas Read Through Andrea Dworkin - Make it stand out The Shop, interior, Tracey Emin and Sarah Lucas's gallery and studio space in 1993. Photograph: Carl Freedman https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/9d79ca57-1a8d-4179-9ade-fea35e1650e7/Lucas+sp.png Features - Sarah Lucas Read Through Andrea Dworkin - Make it stand out Sarah Lucas, Self Portrait with a Skull, 1997, digital print on paper, 737 × 760 mm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/745c9195-7160-4636-aa24-c46274738ba8/Lucas+odd+couple.png Features - Sarah Lucas Read Through Andrea Dworkin - Make it stand out Sarah Lucas, The Odd Couple, 1992 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/684189db-0f85-4171-90be-069f18e51dbf/Lucas+pauline+bunny.png Features - Sarah Lucas Read Through Andrea Dworkin - Make it stand out Sarah Lucas, Pauline Bunny, 1997, wooden chair, vinyl seat, tights, kapok, metal wire, stockings and metal clamp, 950 × 640 × 900 mm https://www.cocoa.foundation/features/fun-cityfear-city-when-the-psychedelic-turned-psychopathic-by-dennis-cheaney monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d74a2466-f34d-4dea-83eb-8d1e4bae9995/Beatles+lindner+rock.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Wes Wilson, Beatles’ Last Performance Candlestick Park, 1966, printed material, dimensions unknown Right: Richard Lindner, Rock-Rock, 1966, oil on canvas, 178 x 15.5 2 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/cfe628d3-a373-4102-a1b5-af82e2dcbcd2/Warhol+brownjohn+bacon+2.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Andy Warhol, Campbell’s Soup (Manhattan Clam Chowder), 1962, casein on canvas, 50.8 x 40.6 cm Middle: Robert Brownjohn, Exhibition poster for Obsession and Fantasy, 1963, printed material, dimensions unknown Right: Francis Bacon, Study of a Head, 1953, oil on canvas *Brownjohn was a noted designer that combined formal elements with a pop aesthetic. He famously designed the Rolling Stones Let it Bleed (1969) album cover that featured the song Gimme Shelter, a raucous piece with lyrics of war, rape, fear and destruction which was thought up by Stones’ guitarist Keith Richards as he watched an approaching rainstorm from Robert Fraser’s London flat. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/e9fb928f-7045-4184-bbb1-b3f9e379e763/avedon+campbells.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Richard Avendon, John Lennon, 1967, offset lithograph, 78.8 x 57 cm Right: Campbell’s Soup Ad, 1968, printed material for magazines, dimensions unknown https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d72038c8-ca84-4b49-95b2-a9768034b8ee/lindner+the+street.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Richard Lindner, The Street, 1963, oil on canvas, 183 x 183 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2f95f6be-1c2a-4167-a471-61737c2c3755/fun+city+fear+city.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Richard Lindner, Fun City, 1971, color lithograph, 60.5 x 51 cm Right: Council of Public Safety,Welcome to Fear City, 1975, printed matter, dimensions unknown https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6621bd6f-2b75-45ce-9b7f-43e572c33a3c/Fraser+Keen2.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Graham Keen, Robert Fraser, 1966, photograph, 23.5 cm x 35.5 cm * Behind the elegant Fraser are two photos by Hans Bellmer of his eerie mannekins on display in Fraser’s gallery. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/82db34c6-daa5-4a73-af4f-403f42800ac4/Lindner+Blake+Blake.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Richard Lindner, Stranger 2, 1958, oil on canvas, 152.5 x 101.5 cm Middle: Blake and Haworth, Sgt. Peppers’ Album Insert , 1967, cardboard, dimensions unknown Left: Peter Blake, On the Balcony, 1955-7, oil on canvas, 121.3 x 90.8 cm * Lindner’s figure has indication of perforation marks, similar to cut-outs on the backs of cereal boxes and appears next to color fields that appear badge-like. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/d7a6017c-7f89-43ca-8a2a-69663bf5edd2/Gerald+Lindner.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Gerard van Honthorst, The Procuress, 1625, oil on canvas, 104 x 71 cm Right: Richard Lindner, Lollipop, early 1970s, lithograph, sheet size 67.3 x 51.2 cm *A side-by-side comparison allows us to see how prostitution has been depicted in paintings, maintaining a similar look and feel for over 300 years. Lindner’s unique contribution was that he treated this familiar subject in the new visual vernacular of a graphic commercial art style. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ea99fb77-d824-4156-9edd-95d0024e7006/French+sullivan.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Jared French, Murder, 1942 , egg tempera on panel, 43.18 x 36.83 cm Right: Patrick Sullivan, The Fourth Dimension, 1938, oil on canvas, 61.5 x 76.6 in *These works by French and Sullivan appeared in Americans 1943: Realists and Magical Realists. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1aa622b3-b305-46b1-8df0-f02e4f1d0ce9/Dine+Skull+and+Heart.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Jim Dine, The Uses of Enchantment. 1992, oil paint, oil stick and charcoal on canvas over wood, 116.84 x 148.59 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/4d632b3a-487e-4576-9bb6-f94270da062a/Lindner+Visitor+Solitary+3.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Richard Lindner, The Visitor, 1953, oil on canvas, 127 x 76 cm Right: Richard Lindner, Solitary III, 1958-62, oil on canvas, 107.2 x 68.8 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/0edb7c8c-10b9-4991-a3d8-287b7e90077f/Grosz+Schad.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: George Grosz, Street Scene, 1925, oil on canvas, 81.3 x 61.3 cm Right: Christian Schad, Self Portrait, 1927, oil on canvas, 76 62 cm *Grosz was a New Objectivity painter while Christian Schad was a Magical Realist. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/ffb9c8c9-e48f-4f73-b5d6-259676f61e95/blake+warhol+2.png Features - Fear and the Fall of Psychedelic Realism - Make it stand out Left: Peter Blake, Irish Lord X, 1963, oil on canvas, 54.5 x 39 cm Right: Andy Warhol, Five Deaths on Orange, 1963, acrylic and silkscreen on linen, 76.6 x 76.6 cm https://www.cocoa.foundation/features/harvey-dinnerstein-a-remembrance-1928-2022-by-dennis-cheaney monthly 0.5 2022-06-30 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/78b523e6-34fa-4be1-bd54-4bb7145ab7cd/Harvey+Old+Couple.png Features - Harvey Dinnerstein: A Remembrance (1928-2022) by Dennis Cheaney - Make it stand out Harvey Dinnerstein, Old Couple, 2015, pastel on paper, 7 1/4 x 9 1/4 in. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/472201c7-1b20-42dd-8999-5870118e4cb3/Eakins+Harvey.png Features - Harvey Dinnerstein: A Remembrance (1928-2022) by Dennis Cheaney - Make it stand out Left: Thomas Eakins, The Thinker, 1900, oil on canvas, 82 X 42 in, Right: Harvey Dinnerstein, The Cyclist, oil on canvas, https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/cdb6efb0-41d4-40b3-b9b5-212d9dcffbc8/Harvey+Past+and+Present.png Features - Harvey Dinnerstein: A Remembrance (1928-2022) by Dennis Cheaney - Make it stand out Harvey Dinnerstein, Past and Present, oil on canvas https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/2684e4f9-3dc1-4785-b056-6d546727ba75/harvey+underground+together.png Features - Harvey Dinnerstein: A Remembrance (1928-2022) by Dennis Cheaney - Make it stand out Harvey Dinnerstein, Underground Together, 1996, oil on canvas, dimensions unknown https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/e808d98b-b07a-49a6-80a1-039c2fb0c4d7/Harvey+nocturnal.png Features - Harvey Dinnerstein: A Remembrance (1928-2022) by Dennis Cheaney - Make it stand out Harvey Dinnerstein, Nocturnal Passage, 2009, oil on canvas, dimensions unknown https://www.cocoa.foundation/features/peterbooth monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/8361f375-377f-4b66-addd-5f6d6f5032d7/Booth+six+figures.png Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Peter Booth, Drawing 2009 (Six Figures, Man in Cardboard), 2009, mixed media on paper, 24 x 39.5 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/04a6e1c9-7070-4dfc-b3e0-7a1ff2e27e6a/Massacio+and+Booth.png Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Left: Masaccio, The Expulsion of Adam and Eve (detail), 1424, fresco in Brancacci Chapel Right: Peter Booth, Two Figures, 1990, oil on canvas, 167.5 x 132 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/6b137e13-f03c-4c32-a13a-49033e7ce11b/Booth+Apocalyptic+landscape.jpg Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Peter Booth, Painting 1983 (Apocalyptic Landscape), 1983, oil on canvas, 111.5 x 182.5 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/06584939-7632-4d01-af06-cdeba918bc34/Booth+figrue+with+yellow+scart.png Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Peter Booth, Figure - Yellow with Blue Scarf, 2006, oil on canvas, 117 x 132.5 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/46b5a317-f1a9-4529-bb25-6118e5eb2353/Booth+snow+on+rocks.png Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Peter Booth, Snow Scene (Stones and Blue Sky), 2005, oil on canvas, 91.5 x 91.5 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/19be7f3a-35f3-458d-8198-7536bb8df14d/Booth+columns.png Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Peter Booth, Drawing (Greek Ruins II), 1999, pastel and watercolor on paper, 62 x 101 cm https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/26699665-a226-489e-87c8-4cae045c2970/booth+fly+man.png Features - Peter Booth: Painting at the End of Time by Dennis Cheaney - Make it stand out Peter Booth, Insect Monster, 1980, pen and ink on paper, 19.5 x 17 cm https://www.cocoa.foundation/features/connection-to-placethe-work-of-eric-aho-and-brece-honeycutt-by-kk-kozik monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1624987669256-FF5YLZ7HQSRXJQ1LF2OL/Small+Lake+Edge+16x20+copy.jpg Features - Connection to Place: The Work of Eric Aho and Brece Honeycutt by KK Kozik - Make it stand out Eric Aho, Small Lake Edge, 2019, Oil on linen, 16 x 20 inches, Courtesy of DC Moore Gallery, NYC and Tayloe Piggott Gallery, Jackson Hole, WY https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1624987909819-A64GHTK0HQ6N9LSMQ87W/Honeycutt_listed+weeds.jpg Features - Connection to Place: The Work of Eric Aho and Brece Honeycutt by KK Kozik - Make it stand out Brece Honeycutt, Winterfield #2: Stalks and Stems, 2017, Silk/Cotton Thread on Damask, 16 x 15 ½ inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1624987853032-94U2ME159QD0T5HN2FF9/Americana%2C+2021%2C+Oil+on+linen%2C+52+x+48+inches++REF.jpg Features - Connection to Place: The Work of Eric Aho and Brece Honeycutt by KK Kozik - Make it stand out Eric Aho, Americana, 2021, Oil on linen, 52 x 48 inches, Courtesy of the artist and DC Moore Gallery, New York https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1624987763766-3IRJWSZQX6N42I1M74RE/Honeycutt_winterfield+stalks+and+stems.jpg Features - Connection to Place: The Work of Eric Aho and Brece Honeycutt by KK Kozik - Make it stand out Brece Honeycutt, Winterfield #2: Stalks and Stems, 2017, Silk/Cotton Thread on Damask, 16 x 15 ½ inches https://www.cocoa.foundation/features/seannoonanandalbertpinkhamrydersailing monthly 0.5 2021-04-14 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618341125472-0W1YC359HTQWFO8APFA1/Noonan%2BCalm%2BGrays.jpg Features - For Your Consideration, A Comparison by Peter Cusack Sean Noonan, Calm Grays https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618340370511-MK67V50166QDPN4HP3J1/Noonan+Familiar+Tune+2.jpeg Features - For Your Consideration, A Comparison by Peter Cusack Sean Noonan, Familiar Tune https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618327291465-63FBOALM3YMRA4V9YRQV/RYDER.UNDER.jpg Features - For Your Consideration, A Comparison by Peter Cusack Albert Pinkham Ryder, Under https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618326381034-6160V3USRTA1KI3SL25V/RYDER.TOILER.jpg Features - For Your Consideration, A Comparison by Peter Cusack Albert Pinkham Ryder, Toiler https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618341395828-PWC73RMSG8Q1GZT5O0BO/Noonan+Esopus+Lighthouse.jpeg Features - For Your Consideration, A Comparison by Peter Cusack Sean Noonan, Esopus Lighthouse https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618340308875-FISINKJZ6WAICLXYHHQ6/Noonan+Regatta+1.jpeg Features - For Your Consideration, A Comparison by Peter Cusack Sean Noonan, Regatta https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618326314629-7W9GX4X3QPUKNMC2MRL8/RYDER.MARINE.jpg Features - For Your Consideration, A Comparison by Peter Cusack Albert Pinkham Ryder, Marine https://www.cocoa.foundation/features/ruthrosengartendrawingplantsandminfulness monthly 0.5 2021-04-14 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618321151161-G40FN14HE6E3SF6GFH04/Ruth+%231.jpeg Features - Drawing Plants & Mindfulness by Ruth Rosengarten Blind drawing — eyes completely shut. Feeling plant with non-dominant hand. 2 drawings — each different pen. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618339712304-GHUATOEWP6YU8PSR9KBC/Ruth+%233.jpeg Features - Drawing Plants & Mindfulness by Ruth Rosengarten Guided drawing/meditation through my body (upper body) with breathing — 2 pencils in each hand. 24-03-21 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618322120018-YW9C19XWDHX6RC01PG1V/Ruth+%232.jpeg Features - Drawing Plants & Mindfulness by Ruth Rosengarten Blind drawing/meditation through the body of a plant. A pencil in each hand. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618321691599-G57TN1XIGB7J25UNIXXD/Ruth+%234.jpeg Features - Drawing Plants & Mindfulness by Ruth Rosengarten Blind drawing — body scan becoming vegetal. https://www.cocoa.foundation/features/lisazeigerdontexplainmemoir monthly 0.5 2021-04-14 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618337723636-48SMSOIY5SHZZTT4H0SS/Woman+Reading.jpeg Features - Don’t Explain by Lisa Zeiger https://www.cocoa.foundation/features/lasmeninasdiegovelazquezstephenllano monthly 0.5 2021-04-18 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1618322688753-2YOBIJJXHXVM4K67R0KK/Las+Meninas.jpeg Features - Professing Rhetoric with Diego Velazquez by Stephen M. Llano Diego Velázquez, Las Meninas, 1656, Oil on Canvas, 10’ 5” x 9’ 1” https://www.cocoa.foundation/features/greg-goldman-perimeter-paintings-at-the-national-arts-club-in-nyc monthly 0.5 2021-04-26 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1612980489820-68D6PYMCDP00V6PFEXRF/National+Arts+Club+Installation+Shot+%28Gallery%29.jpg Features - Exhibition Review: Greg Goldberg, Perimeter Paintings National Arts Club Installation Image https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1612985682711-O8B9UQIXGAH4J0DOYX28/Perimeter+Painting+Broken+Brushstroke+%231+Resized.jpg Features - Exhibition Review: Greg Goldberg, Perimeter Paintings Perimeter Painting #4 2018-19 11/29-6/17 40"x42" Oil on linen https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1612985715261-DSLA7J33Z1NXWS30KZN7/Perimeter+Painting+%234.jpg Features - Exhibition Review: Greg Goldberg, Perimeter Paintings Perimeter Painting Broken Brushstroke #1 2020-21 30"x30" Oil on linen https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1612999868443-WTTTVTSXZVYTPGYLX36G/National+Arts+Club+Installation+Shot.jpg Features - Exhibition Review: Greg Goldberg, Perimeter Paintings National Arts Club Installation Image https://www.cocoa.foundation/features/hair-by-ruth-rosengarten monthly 0.5 2021-02-10 https://www.cocoa.foundation/features/pause-by-dennis-cheaney monthly 0.5 2021-02-10 https://www.cocoa.foundation/features/moby-dick-a-love-story-by-jim-jasper monthly 0.5 2021-02-10 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1593552759434-UH666WVJI6OWVGAZCQ6E/LEE.jpg Features - Read: Moby Dick, A Love Story, by Jim Jasper Jim Jasper, The Lee Shore, 2019, ink on paper, 11×15 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1593552693811-4LZPV8EKWVC32M6I7YLM/HATCHET.jpg Features - Read: Moby Dick, A Love Story, by Jim Jasper Jim Jasper, Nightgown, 2019, ink, pencil and inkjet print on paper, 15×11 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1593552526862-ZJUL6B1L129ACGX7XBWG/COUPLE.jpg Features - Read: Moby Dick, A Love Story, by Jim Jasper Jim Jasper, The Lee Shore, 2019, ink on paper, 11×15 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1593552823207-8VV6S8KMUK5L5HMNLXQL/WHALING.jpg Features - Read: Moby Dick, A Love Story, by Jim Jasper Jim Jasper, Stubb Kills a Whale, 2019, ink, pencil, inkjet print and watercolor on paper, 15×11 inches https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1593552332292-6B29XV0NR88E6COU1Z6V/THEINN.jpg Features - Read: Moby Dick, A Love Story, by Jim Jasper Jim Jasper, The Spouter-Inn, 2019, ink, pencil, inkjet print and watercolor on paper, 15×11 inches https://www.cocoa.foundation/features/the-parcheesi-print-an-etching-and-a-case-study-by-peter-kirkiles monthly 0.5 2021-02-10 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1588717522694-U6EYS1RYEJCWL01M6PFV/FINAL.4.jpg Features - Look: The Parcheesi Print, an Etching and a Case Study, by Peter Kirkiles https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1588717387244-PA85JK78ILQYO0XVTQDB/FINAL.3.jpg Features - Look: The Parcheesi Print, an Etching and a Case Study, by Peter Kirkiles https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1588717563919-5X5JBQM3R2QO6QA6SRKD/Final.1.jpg Features - Look: The Parcheesi Print, an Etching and a Case Study, by Peter Kirkiles https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1588716885455-14WC1QIL7Z3BHI5NH9G3/FINAL.2.jpg Features - Look: The Parcheesi Print, an Etching and a Case Study, by Peter Kirkiles Peter Kirkiles, Parcheesi Print, Etching, 2019, 12 x 12 inches, Courtesy Jeffrey Tillou Antiques https://www.cocoa.foundation/features/mrs-rochester-by-lisa-zeiger monthly 0.5 2021-02-10 https://www.cocoa.foundation/features/brunonadalinonprintmakingandprocess monthly 0.5 2021-02-10 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589219634128-67U6W0VR6Q9N7GDNVQT1/Four_Faces_I.jpg Features - Look: Bruno Nadalin, It’s Another Door Four Faces I, monotype and linocut, 2016 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589219735002-78I1XUV0RFUKU20B79LG/Field.jpg Features - Look: Bruno Nadalin, It’s Another Door Field, Pen and Ink, 2019 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589219691478-I5O1TMQ4OTRAAVZ41MQL/Two_Women.jpg Features - Look: Bruno Nadalin, It’s Another Door Two Women, monotype, 2018 https://www.cocoa.foundation/features/tag/Drawing monthly 0.5 https://www.cocoa.foundation/features/tag/Hair monthly 0.5 https://www.cocoa.foundation/features/tag/Ruth+Rosengarten monthly 0.5 https://www.cocoa.foundation/features/tag/Memory monthly 0.5 https://www.cocoa.foundation/features/tag/Ishmael monthly 0.5 https://www.cocoa.foundation/features/tag/Moby+Dick monthly 0.5 https://www.cocoa.foundation/features/tag/Jim+Jasper monthly 0.5 https://www.cocoa.foundation/features/tag/Nantucket monthly 0.5 https://www.cocoa.foundation/features/tag/Herman+Melville monthly 0.5 https://www.cocoa.foundation/features/tag/Lisa+Zeiger monthly 0.5 https://www.cocoa.foundation/features/tag/Queequeg monthly 0.5 https://www.cocoa.foundation/features/tag/Diego+Velazquez monthly 0.5 https://www.cocoa.foundation/features/tag/Las+Meninas monthly 0.5 https://www.cocoa.foundation/thejournal daily 1.0 2023-11-15 https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613087198931-A3QZ0D3HWB53K0PRVE0V/Peter+Cusack+with+Magnifying+Glass+1.jpg The Journal of Cornwall Contemporary Arts - PETER CUSACK, West Cornwall, CT Peter Cusack is a publisher, producer, writer, and painter. He is the founder of Cornwall Contemporary Art (COCOA). Peter has degrees from Syracuse University and École Albert Dufois in Les Cerqeuex Sous Passavant in France. His work can be found in the Museum of American Illustration at the Society of Illustrators, the New York Transit Museum, and the United States Air Force Art Collection. His work has appeared in Architectural Digest, An Illustrated Life: Drawing Inspiration from the Private Sketchbooks of Artists, Illustrators and Designers by Danny Gregory, and Drawing Inspiration: Visual Artists At Work by Michael Fleishman. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613086850963-RKV0IQ45WV16XCJXLL59/Lisa+Zeiger+1.jpeg The Journal of Cornwall Contemporary Arts - LISA ZEIGER, Newark, NJ Lisa Zeiger studied the history of decorative arts at the Sotheby's Institute London and earned a B.Dip in 19th and 20th century decorative arts from Christie's/University of Glasgow. She was Decorative Arts Editor of the former Nest magazine and has written for The New York Times, The Art Newspaper, and HYLAND. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613272859559-WQ9NTCVESPLCXAJE96ML/Dennis+Cheaney+Self+Portrait.jpg The Journal of Cornwall Contemporary Arts - DENNIS CHEANEY, Manhattan, NY Dennis W. Cheaney is a contemporary classical artist and teacher who is inspired by natural forms, Greek Classical sculpture and the European Baroque. Dennis received his BA in Mathematics from the University of Southern California (1995) and his MFA from the New York Academy of Art (1998), where he was an Andy Warhol Foundation Scholar studying under the renowned artist Edward Schmidt. Dennis has exhibited in New York City, San Francisco, Boston, Texas, France and Canada. He received the Elizabeth Greenshields Foundation Grant (2001) for figure painting. Currently, he teaches a popular art class on Drawing into Painting at the New York Academy of Art. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613071266070-XGUVZP3JSV7JZEXVU4PK/Joy+Setton.jpg The Journal of Cornwall Contemporary Arts - JOY SETTON, Warren, CT Joy Setton is a franco-american writer, musician and textile designer. Her two books Une Semaine A Pondichéry and Une Chose Menant A Une Autre have been published by the distinguished Swiss imprint La Baconnière; and her textile work, a collection of original prints produced with natural dyes only, can be seen online or by appointment at her studio in Warren, CT. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613071122029-FPI2ED2CPGZ76XS3Z5RD/Todd+Bradway.jpg The Journal of Cornwall Contemporary Arts - TODD BRADWAY, Brooklyn, NY Todd Bradway is an artist and editor based in New York. He has edited and produced numerous illustrated titles, including Landscape Painting Now (D.A.P., 2019), Michael Kagan: I Wast There When It Happened (Virginia Museum of Contemporary Art, 2019), Lisa Yuskavage: The Brood (Rizzoli/Rose Art Museum, 2015), Emile Brzezinski: The Lure of the Forest (D.A.P. 2014), and Vincent Desiderio: Paintings (D.A.P./Marlborough Gallery, 2005). Bradway was formerly Director of Title Acquisitions at D.A.P., where he worked for over twenty years, and more recently Director of Publishing at David Zwirner Books. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/10e314c8-b2ad-4f5f-bd07-ce24c463c544/AHO.jpg The Journal of Cornwall Contemporary Arts - ERIC AHO, Saxtons River, VT Eric Aho is an artist whose recent engagement with writing unifies his interests in painting and historic research with accounts of personal experience. His paintings have been exhibited widely and will be the subject of a forthcoming Rizzoli monograph. Aho lives with his family in Vermont and travels frequently to the Nordic region. DC Moore Gallery in New York will present an exhibition of new works in October 2024. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613272633009-AXLEVZPZZYQVNJ2VR3TU/Brandon+Kavulla+III.jpeg The Journal of Cornwall Contemporary Arts - BRANDON KAVULLA, Sleepy Hollow, NY Brandon Kavulla is a creative director formerly focusing on magazine design in NYC and SF. His career spanned 20 years over seven different titles serving as Creative Director and Design Director of Wired, Fortune, Details, Spin and Vibe and has consulted for Esquire, Barron’s and Entrepreneur. He is the recipient of nearly 100 awards in creative direction and design including 15 gold medals and several National Magazine awards. Brandon continues to consult however in 2018 he began to focus the majority of his time on creating artwork. Originally from Akron, Ohio, he lives with his wife and three children in Sleepy Hollow, NY. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613271677830-R6T3LKGHLUIGBUIVZ8J1/KK+Kozik+.jpg The Journal of Cornwall Contemporary Arts - KK KOZIK, Sharon, CT KK Kozik is an artist and writer and Director of ICEHOUSE Project Space in Sharon, Connecticut where she lives with her family. Her work has been exhibited in numerous solo and group exhibitions in the US and Abroad and she has published over 100 articles on music and art. She was formerly Senior Editor at COVER Magazine and Contributing Editor at ARTNEXUS. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1615409730178-M24ROD3SHVM1Z2JYNIMD/Jim+Duffy+Photo+by+Amy.jpg The Journal of Cornwall Contemporary Arts - JIM DUFFY, Brooklyn, NY Jim Duffy is a copy editor and musician living in Brooklyn. https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1619019233348-KES7077LHVN185LOWLCQ/AlanBultmanScully.jpeg The Journal of Cornwall Contemporary Arts - ALAN ROSENBERG, New York, NY Alan Rosenberg is a historian and curator of art and design. His articles, lectures, exhibitions and websites have revealed underknown creators of the 20th century such as avant-garde fashion designer Tiger Morse, tapestry artist Jan Yoors, romantic realist painter Bernard Perlin and whimsical silver sculptor Earl Krentzin, amongst many other subjects. His essays have appeared in print in publications including Nineteeth Century, Silver Magazine and the Saint James Encyclopedia of Fashion . https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1613087746303-57T0RCO1OTKEYEU35PO4/LandingPageImage.jpg The Journal of Cornwall Contemporary Arts https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589912243941-QPQFWJF0WACVZQK0B2VX/COCO.SPRING2020.nabi.jpg The Journal of Cornwall Contemporary Arts https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589912401841-DI2P36IJC3GP1YUSMUN1/COCOA.SPRING19.BARKER.jpg The Journal of Cornwall Contemporary Arts https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589913027486-HTI1JMEOVK7IXOGNVRBM/COCO.FALL19.KIRK.jpg The Journal of Cornwall Contemporary Arts https://images.squarespace-cdn.com/content/v1/5ea72754a3e4bf4cdbb87a19/1589913026587-C7VFA9AJWBA5R5KR27QR/COCO.SPRING19.HOPPER.jpg The Journal of Cornwall Contemporary Arts https://www.cocoa.foundation/contact-us daily 0.75 2021-05-10 https://www.cocoa.foundation/support daily 0.75 2022-03-17